{"id":685,"date":"2023-08-02T18:01:45","date_gmt":"2023-08-02T18:01:45","guid":{"rendered":"https:\/\/avelola.com\/?p=685"},"modified":"2024-06-19T13:52:06","modified_gmt":"2024-06-19T16:52:06","slug":"cao-vadio","status":"publish","type":"post","link":"https:\/\/avelola.com\/2023\/08\/02\/cao-vadio\/","title":{"rendered":"C\u00e3o Vadio | \u00a02021"},"content":{"rendered":"\n<p><strong>Sinopse: <\/strong>C\u00c3O VADIO \u00e9 uma obra que parte de uma pesquisa sobre o realismo fant\u00e1stico presente na literatura latino-americana e a linguagem de cabar\u00e9. A pe\u00e7a intercala n\u00fameros e cenas, entre personagens que se encontram na borda do mundo, um lugar para onde alguns fogem, alguns se escondem, alguns foram levados \u00e0 for\u00e7a ou carregados pelo vento do deserto. \u00c9 nesse lugar onde conhecemos as hist\u00f3rias contadas pelos habitantes do territ\u00f3rio a que chamamos C\u00e3o Vadio.<\/p>\n\n\n\n<p><strong>Ano de estreia: <\/strong>2021<\/p>\n\n\n\n<p><strong>Classifica\u00e7\u00e3o Indicativa: <\/strong>16 anos<\/p>\n\n\n\n<p><strong>Dura\u00e7\u00e3o:<\/strong> 120 minutos (com intervalo de 15 minutos)<\/p>\n\n\n\n<p><strong>Ficha T\u00e9cnica<\/strong><\/p>\n\n\n\n<p><strong>Dramaturgia e dire\u00e7\u00e3o: <\/strong>Ana Rosa Genari Tezza<\/p>\n\n\n\n<p><strong>Elenco:&nbsp;<\/strong><\/p>\n\n\n\n<p>Ane Adade<\/p>\n\n\n\n<p>Cesar Matheus<\/p>\n\n\n\n<p>Eduardo Giacomini<\/p>\n\n\n\n<p>Evandro Santiago<\/p>\n\n\n\n<p>Helena Tezza<\/p>\n\n\n\n<p>Marcelo Rodrigues<\/p>\n\n\n\n<p>Olga Nenev\u00ea<\/p>\n\n\n\n<p>Regina Bastos<\/p>\n\n\n\n<p><strong>Dire\u00e7\u00e3o musical: <\/strong>Arthur Jaime e Breno Monte Serrat<\/p>\n\n\n\n<p><strong>M\u00fasicos: <\/strong>Arthur Jaime e Breno Monte Serrat<\/p>\n\n\n\n<p><strong>Preparadora vocal: <\/strong>Babaya Morais e Paola Pagnosi<\/p>\n\n\n\n<p><strong>Preparadora corporal: <\/strong>Ane Adade<\/p>\n\n\n\n<p><strong>Ilumina\u00e7\u00e3o: <\/strong>Beto Bruel e Rodrigo Ziolkowski<\/p>\n\n\n\n<p><strong>Figurino: <\/strong>Eduardo Giacomini<\/p>\n\n\n\n<p><strong>Assistente de figurino: <\/strong>Helena Tezza<\/p>\n\n\n\n<p><strong>Costureiras: <\/strong>Rose Mary Matias de Oliveira e Marino Ferrara&nbsp;<\/p>\n\n\n\n<p><strong>Cenografia: <\/strong>Eduardo Giacomini<\/p>\n\n\n\n<p><strong>Adere\u00e7os de cen\u00e1rio: <\/strong>Eduardo Giacomini<\/p>\n\n\n\n<p><strong>Confec\u00e7\u00e3o de bonecos e adere\u00e7os: <\/strong>Eduardo Santos<\/p>\n\n\n\n<p><strong>Cenot\u00e9cnicos: <\/strong>Fabiano Hoffmann, Anderson Purcotes Quinsler e Rene Augusto Barbosa<\/p>\n\n\n\n<p><strong>Operadores de luz: <\/strong>Rodrigo Ziolkowski e Alexandre Leonardo Luft&nbsp;<\/p>\n\n\n\n<p><strong>Dire\u00e7\u00e3o de produ\u00e7\u00e3o: <\/strong>Dara van Doorn e Elza Forte da Silva Carneiro<\/p>\n\n\n\n<p><strong>Produtor: <\/strong>Carlos Becker<\/p>\n\n\n\n<p><strong>Produ\u00e7\u00e3o:<\/strong> Entre Mundos Produ\u00e7\u00f5es Art\u00edsticas<\/p>\n\n\n\n<p><strong>Produ\u00e7\u00e3o executiva: <\/strong>Laura Tezza<\/p>\n\n\n\n<p><strong>Comunica\u00e7\u00e3o e assessoria de imprensa: <\/strong>Larissa de Lima e Jamilssa Melo<\/p>\n\n\n\n<p><strong>Registro fotogr\u00e1fico e videogr\u00e1fico: <\/strong>Larissa de Lima<\/p>\n\n\n\n<p><strong>Ilustra\u00e7\u00f5es e projeto gr\u00e1fico: <\/strong>Gabriel Rischbieter<\/p>\n\n\n\n<p><strong>Tradu\u00e7\u00e3o para libras: <\/strong>Jonatas Medeiros \/ Fluindo Libras<\/p>\n\n\n\n<p><strong>Roteiro de Audiodescri\u00e7\u00e3o: <\/strong>Brisa Teixeira<\/p>\n\n\n\n<p><strong>Consultoria: <\/strong>Felipe Monteiro<\/p>\n\n\n\n<p><strong>Cozinha Ave Lola:<\/strong> Mattheus Boeck e Zulmira Maria de Lima<\/p>\n\n\n\n<p><strong>Este processo foi constru\u00eddo ainda com a contribui\u00e7\u00e3o dos artistas: <\/strong>Caro Hampf e Lu\u00eds Fernando Nicolosi<\/p>\n\n\n\n<p><strong>Oficinas do projeto: <\/strong>A plasticidade da voz do ator, com Paola Pagnosi; Manipula\u00e7\u00e3o de bonecos, com Jaime Lorca; A Voz do Ator Cantor, com Babaya Morais<br><strong>Parceiros de trajet\u00f3ria: <\/strong>Constantino Viaro, Ety Cristina Forte Carneiro, Jo\u00e3o Tezza Neto, Jos\u00e9 \u00c1lvaro da Silva Carneiro, Lisiane Cardona, Mayling Ling, Moema Zuccherelli, M\u00f4nica Rischbieter, Val\u00e9ria Bechara.<\/p>\n\n\n\n<p><strong>Agradecimentos: <\/strong>Isadora Hofstaetter, Luciana Patricia de Morais, Elisa Cordeiro Brito, Tania Campos, Ana Paula Marques dos Santos, Ademar da Silva Brasileiro, Ana Paula Mira (Toda Letra), Jo\u00e3 Kl\u00fcber, Org\u00e2nicos Fruta-Caf\u00e9, S\u00edtio Vale do Tigre, Luismar Antonio Martins Pinto, Lucilda Schemes Pereira e aos colaboradores da Associa\u00e7\u00e3o Eunice Weaver (AEW).<\/p>\n\n\n\n<p><strong>Realiza\u00e7\u00e3o: <\/strong>Trupe Ave Lola<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"[teaser] - Espet\u00e1culo C\u00e3o Vadio (Trupe Ave Lola - 2021)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/KpeXRT-oE_E?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div class=\"wp-block-jetpack-slideshow aligncenter\" data-effect=\"slide\"><div class=\"wp-block-jetpack-slideshow_container swiper-container\"><ul 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aria-label=\"Pause Slideshow\" class=\"wp-block-jetpack-slideshow_button-pause\" role=\"button\"><\/a><div class=\"wp-block-jetpack-slideshow_pagination swiper-pagination swiper-pagination-white\"><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Sinopse: C\u00c3O VADIO \u00e9 uma obra que parte de uma pesquisa sobre o realismo fant\u00e1stico presente na literatura latino-americana e a linguagem de cabar\u00e9. A pe\u00e7a intercala n\u00fameros e cenas, entre personagens que se encontram na borda do mundo, um lugar para onde alguns fogem, alguns se escondem, alguns foram levados \u00e0 for\u00e7a ou carregados [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":686,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[16],"tags":[13,14],"class_list":["post-685","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-repertorio","tag-atual","tag-todos"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/avelola.com\/wp-content\/uploads\/2023\/08\/Maringaas-Maciel-6313-2-copy-2-jpg.webp","_links":{"self":[{"href":"https:\/\/avelola.com\/wp-json\/wp\/v2\/posts\/685","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/avelola.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/avelola.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/avelola.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/avelola.com\/wp-json\/wp\/v2\/comments?post=685"}],"version-history":[{"count":4,"href":"https:\/\/avelola.com\/wp-json\/wp\/v2\/posts\/685\/revisions"}],"predecessor-version":[{"id":3294,"href":"https:\/\/avelola.com\/wp-json\/wp\/v2\/posts\/685\/revisions\/3294"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/avelola.com\/wp-json\/wp\/v2\/media\/686"}],"wp:attachment":[{"href":"https:\/\/avelola.com\/wp-json\/wp\/v2\/media?parent=685"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/avelola.com\/wp-json\/wp\/v2\/categories?post=685"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/avelola.com\/wp-json\/wp\/v2\/tags?post=685"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}